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Transformational Acting
A Step Beyond
Published by Limelight. October, 2002.
Available for purchase directly from Limelight
Editions
Read Michael Lazan's Review in
Back Stage March 28th 2003
Book is also available at:
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Drama
Book Shop
250 W. 40th Street
New York, NY 10018
Applause Bookstore
211 West 71st Street
Lower Level
New York, NY 10023
Amazon
Barnes
& Noble
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The book can be found in Saugerties at The Inquiring Mind, in Woodstock at The Golden Bough, in Los Angeles at Samuel French, in San Francisco at Limelight Books, and in all local bookstores throughout the country. |
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Transformational Acting
A Step Beyond
“With
this book actors take a step-by-step journey into knowing themselves; they
use “self” as the raw material to transform into character.
"For
creating, we tap into an active energy and intelligence alive in all of nature.
This unifying intelligence and dynamic energy already exists inside each
and every one of us. This essence is the source of my new approach.
"In
Transformational Acting, the actor is taught to access this essence along
with the “Emotional Body” (a new way to generate current emotions without
having to rely on histrionics). Strong new acting distinctions are also taught
in this technique, such as transforming who You are into That character—actually
reinventing yourself as the character. It’s about you, who you are, what
you bring to the character, and using what is relevant from within you. This
new acting technique takes the actor beyond “Sense Memory” into Transformational
Acting."
This
book is a determined effort to steer away from the intellectual, theory-based
acting instruction to a more creative and viscerally human approach. It moves
beyond teaching how to represent a character or various emotions toward living
a role with in-the-moment identification and urgency.
The goal of Sande Shurin’s transformational acting is to bring both the actor
and the character into the same body. To do this requires, first, finding
the difference and similarities that divide and link the actor and the role
being performed; and, second, imagining the entire life of the character—including
what is hidden on the stage or on screen.
Two of the author’s students, both stars in the original cast of the Broadway production of Rent, have commented on the work of Sande Shurin:
“Since I started working with Sande, I think it’s safe to say
my work on character and my ability to transform into character have exploded
and expanded beyond anything I previously would have imagined.” – Anthony Rapp
“After Rent, I did a film…dove in to music. Then, tweaking my
skills, I encountered a class full of enthusiasm…[where] we discovered, uncovered,
and tapped into characters as if in a serious playground…falling, being the
fool and rejoicing in our own limitations…There is a passion, curiosity and
generosity that informs Sande’s work and inspires mine. As a teacher she
cuts through the superfluous and guides us to do the same. We create a carefully
chosen armature into which we can breathe life through our own truthfulness
and spontaneity.” – Daphne Rubin-Vega
And from the wonderful world of television:
“Sande is a wonderful teacher who takes a very complex form of acting, simplifies it and makes it fun again.” – Ty Treadway, star of One Life to Live
“Sande has created a solid, useful technique that helped me immensely
as an actor. And now, as a casting director, I consistently see her technique
inspiring and shining through her students’ auditions.” – Bob Lambert, associate casting director of All My Children
The Power of the Present
The Power of your “Self”
The Power of Creativity
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